1. I love when you preach, Rebecca! I love it!

  2. Pam Halter says:

    I love this so much! Thank you, Becky!

  3. I agree with all of this, as far as the Word of God is concerned — the Lord Jesus is beautifully pictured and symbolized throughout Scripture in many ways, even before His incarnation. Yet the Bible is not a short story or a novel, but non-fiction — even though it contains history, prophecy, poetry, and other genres, none of them really fit the framework of the modern novel.

    So how do we apply this argument to fiction? How can Christian writers portray Jesus — not merely a fallible human character who resembles Jesus in one or two ways or in certain situations, as even many non-Christian authors do, but actually the Lord Jesus Christ Himself, in a way that we can recognize Him?

    Do we create a character to insert into our fantasy novels who fills the same role in that world as Jesus does in our own? Do we focus our storytelling on the relationship between our protagonists and this Christ-character, and how their understanding of Him develops through their life experiences? If so, how is this different from any of the many attempts at allegorizing Jesus that have already been written, and how does it escape the danger of being “on the nose”?

    I’m not trying to be facetious or difficult here, I would sincerely like to know.

    • I think these are all good questions, RJ. But I guess, what I’m thinking is that if we write a story about a “King David,” flawed though he may be, he can still point to Jesus Christ. Because David did in real life, I think a character can in fiction. It may not do more than whet the appetite of readers, but that’s what mythology did for C. S. Lewis. He grew to long for the reality of a hero stepping in to rescue and defeat the dragon. But I think we may have lost this idea that our stories can include types of Christ. We expect a “Christ figure,” which either doesn’t ring true because he’s sinful or doesn’t ring true because he’s too perfect.

      I think we can create Christ figures, but I don’t think we’re limited to that. It seems to me that people are opting for a vague “worldview” solution, as if being Christian will somehow rub off on our stories. My contention is that we can do more. We can intentionally prep the soil, creating characters that aren’t just nice guys (because sometimes Jesus wasn’t nice), but who prove to be a shepherd or living water or door or king or servant or any of the other ways Scripture portrays Jesus.

      I suspect those stories will have detractors–some reviewers saying, I don’t know how this book is Christian. But I think it’s worth trying.

      Becky

      • I absolutely agree with all of this and would love to see more of it. I think George MacDonald was brilliant at incorporating types of both God the Father and the Son into his fantasy, though he doesn’t get a lot of credit for it because the characters who embody those divine attributes and authority are frequently women (such as the old Queen Irene in the Curdie books, and the Wise Woman in The Lost Princess).

        He manages to do it without being in the least irreverent or heterodox, amazingly enough, but I’m not sure a modern Christian publisher would be eager to tackle a similar approach today.

        Also, Megan Whalen Turner’s Attolia series (The Thief, The Queen of Attolia, The King of Attolia, A Conspiracy of Kings) is one of the most compelling and truthful examinations I’ve ever read of the relationship between humanity and the divine, including some genuinely awe-inspiring reminders of how God’s ways are higher than our ways and His thoughts higher than our thoughts. Yet it’s based on a pantheistic (quasi-Greek) mythological premise, which again is something one isn’t likely to see in Christian fantasy. (I’m not the only one who said “Yes, THIS” when reading the series, though, as shown by Carrisa Smith’s glowing review at Christ and Pop Culture.)

        • Well, I’d hope Christians would also consider writing about Jesus in this way for the general market.

          I don’t think we need to write the same way when we expect our audience will be primarily Christian than if we write for an audience that will likely be mixed. Christians should be challenged with different issues, I think.

          BTW, RJ, I thought you did exactly what I’m suggesting in Knife.

          Becky

What do you think?